The familiar setting is Bourgie Hall, festooned with microphones, lamps, music stands and cleared of audience chairs. Yannick Nézet-Séguin stands on a podium near the rear, facing forward, score to one side. Horns, trumpets and timpani are on the stage, other players on the floor. Everyone is moderately distanced but unmasked. There might be some techies in the balcony but no public as that word…
Новини от България и света